Lost Scenes from the Movie ‘The Funerals of our Generation', Alicia Partnoy
Alicia Partnoy

La primera línea, Alicia Partnoy
Alicia Partnoy

In the Middle of Nowhere, Alicia Partnoy
Alicia Partnoy

On Being Shorter: Our Testimonial Texts and the U.S. Academia, Alicia Partnoy
Alicia Partnoy

Poetry as a Strategy for Resistance in the Holocaust and the Southern Cone Genocides, Alicia Partnoy
Alicia Partnoy

Romance de la prisionera, Alicia Partnoy
Alicia Partnoy

Lost Havens: Review Of Earth and Sea, Confined: A Novel, and Departing at Dawn: A Novel of Argentina’s Dirty War, Alicia Partnoy
Alicia Partnoy

End of the Millennium Latina (a song), Alicia Partnoy
Alicia Partnoy

Dialogue with Alaíde Poppa, Alicia Partnoy
Alicia Partnoy

Spanish Lessons, Alicia Partnoy
Alicia Partnoy

Textual Strategies to Resist Disappearance and the Mothers of Plaza de Mayo, Alicia Partnoy
Alicia Partnoy

The Blindfold's Eyes: My Journey from Torture to Truth by Sister Dianna Ortiz with Patricia Davis (Review), Alicia Partnoy
Alicia Partnoy

Si sangra no belongs in no poem, Alicia Partnoy
Alicia Partnoy

The Windmills of Memory, Alicia Partnoy
Alicia Partnoy

Answer, Alicia Partnoy
Alicia Partnoy

Balancing, Alicia Partnoy
Alicia Partnoy

Concealing God: How Argentine Women Political Prisoners Performed a Collective Identity, Alicia Partnoy
Alicia Partnoy

Disclaimer Intraducible: My Life / Is Based / on a Real Story, Alicia Partnoy
Alicia Partnoy

Cuando Vienen Matando: On Prepositional Shifts and the Struggle of Testimonial Subjects for Agency, Alicia Partnoy
Alicia Partnoy

Creative Works: “Pregunta semiculinaria” and “Experimento”, Alicia Partnoy
Alicia Partnoy

La primera línea, Alicia Partnoy
Modern Languages and Literatures Faculty Works

Concealing God: How Argentine Women Political Prisoners Performed a Collective Identity, Alicia Partnoy
Modern Languages and Literatures Faculty Works

Lost Havens: Review Of Earth and Sea, Confined: A Novel, and Departing at Dawn: A Novel of Argentina’s Dirty War, Alicia Partnoy
Modern Languages and Literatures Faculty Works

Textual Strategies to Resist Disappearance and the Mothers of Plaza de Mayo, Alicia Partnoy
Modern Languages and Literatures Faculty Works

Disclaimer Intraducible: My Life / Is Based / on a Real Story, Alicia Partnoy
Modern Languages and Literatures Faculty Works

Si sangra no belongs in no poem, Alicia Partnoy
Modern Languages and Literatures Faculty Works

Lost Scenes from the Movie ‘The Funerals of our Generation', Alicia Partnoy
Modern Languages and Literatures Faculty Works

Cuando Vienen Matando: On Prepositional Shifts and the Struggle of Testimonial Subjects for Agency, Alicia Partnoy
Modern Languages and Literatures Faculty Works

Editors’ Commentary, Alicia Partnoy, Karen Mary Davalos
Chicana/o and Latina/o Studies Faculty Works

Poetry as a Strategy for Resistance in the Holocaust and the Southern Cone Genocides, Alicia Partnoy
Modern Languages and Literatures Faculty Works

Romance de la prisionera, Alicia Partnoy
Modern Languages and Literatures Faculty Works

The Blindfold's Eyes: My Journey from Torture to Truth by Sister Dianna Ortiz with Patricia Davis (Review), Alicia Partnoy
Modern Languages and Literatures Faculty Works

Creative Works: “Pregunta semiculinaria” and “Experimento”, Alicia Partnoy
Modern Languages and Literatures Faculty Works

Spanish Lessons, Alicia Partnoy
Modern Languages and Literatures Faculty Works

The Windmills of Memory, Alicia Partnoy
Modern Languages and Literatures Faculty Works

End of the Millennium Latina (a song), Alicia Partnoy
Modern Languages and Literatures Faculty Works

Answer, Alicia Partnoy
Modern Languages and Literatures Faculty Works

Dialogue with Alaíde Poppa, Alicia Partnoy
Modern Languages and Literatures Faculty Works

In the Middle of Nowhere, Alicia Partnoy
Modern Languages and Literatures Faculty Works

Balancing, Alicia Partnoy
Modern Languages and Literatures Faculty Works

On Being Shorter: Our Testimonial Texts and the U.S. Academia, Alicia Partnoy
Modern Languages and Literatures Faculty Works