The Collector Psyche: Eli and Edythe Broad as Agents of the Western European Art Market, Alexis SooHoo, Damon Willick
Honors Thesis

Review: The LAndscapes of Adam Harrison, Damon Willick
Art & Art History Faculty Works

Valley Vista: Art in the San Fernando Valley, ca. 1970-1990, Damon Willick
Faculty Pub Night

Vern Blosum’s Fifteen Minutes, Damon Willick
Art & Art History Faculty Works

In the Valley with Jeffrey Vallance, Damon Willick
Art & Art History Faculty Works

Gallery 32 and Los Angeles’s African American Arts Community, Damon Willick, Carolyn Peter
Art & Art History Faculty Works

Everyman’s Infinite Art: Introduction and Harold Gregor Interview, Damon Willick
Art & Art History Faculty Works

Considering Eden, Damon Willick
Art & Art History Faculty Works

L.A.’s Art Historian: Henry T. Hopkins, 1928-2009, Damon Willick
Art & Art History Faculty Works

Criticism after Art: Comments on the ‘Crisis’ of Art Criticism, Damon Willick
Art & Art History Faculty Works

Still-Live and The Theatrics of the Everyday, Damon Willick
Art & Art History Faculty Works

1 Image 1 Minute, Damon Willick
Art & Art History Faculty Works

Religio and Los Angeles’ Crucifix: An Interview with Simon Toparovsky, Damon Willick
Art & Art History Faculty Works

Adventures in the Uncanny: The Collaboration of Ariel Soulé and Simon Toparovsky, Damon Willick
Art & Art History Faculty Works

Good morning, my name is Ed Kienholz…:' Rethinking the Artist's Self-Presentation, Damon Willick
Art & Art History Faculty Works

Ooh L.A. L.A.: Los Angeles Art in Paris and Pasadena, Damon Willick
Art & Art History Faculty Works

Reading Jean-Michel Basquiat, Damon Willick
Art & Art History Faculty Works