Date of Completion
12-3-2024
Degree Type
Honors Thesis
Discipline
Film and Television Production (PROD)
First Advisor
Charles Howard
Abstract
My thesis lives in the world of Post-Production, and it contains both a creative and written component. I was the editor for four Undergraduate thesis projects. Seeking to gain experience in editing various genres, I worked in drama, sports, period piece, coming of age, and adventure. My biggest takeaways from these projects are the importance of organization, communication, time management, and editing with a sense of imagination. I became a more confident, resilient, and prepared editor through these experiences.
Along with the hands-on filmmaking element of my thesis, I also conducted research on how artificial intelligence will impact conceptions of creativity in the world of post-production. I launched case studies on two AI-powered editing software, Runway and Wondershare Filmora, and I examined how AI expands creative possibilities while simultaneously threatening the integrity of human creativity and effort. Through these case studies, interviews with industry professionals, and historical context, I argue that artificial intelligence is expanding the scope of creativity by incorporating nonhuman contributions, thereby serving as a catalyst for innovation.
Recommended Citation
Dwyer, Nicole, "Artificial Creativity: How Artificial Intelligence Will Impact Creativity Via Post-Production" (2024). Honors Thesis. 559.
https://digitalcommons.lmu.edu/honors-thesis/559