Document Type
Article
Publication Date
7-2024
Abstract
This article explores the emergence and evolution of bɔbɔɔbɔ (borborbor), a distinctive Ewe dance that originated in mid 20th century British Togoland (now the Volta Region of Ghana) and French Togoland (now Togo). Initially rooted in traditional kokomba dance forms, particularly tuidzi and akpese, bɔbɔɔbɔ rapidly integrated European military brass band instruments, notably the bugle and later the trumpet, influenced by the burgeoning popular music genre of highlife in Ghana. Drawing on ethnographic research conducted in Ewe communities in Ghana, this paper examines the transformative role of the trumpet within bɔbɔɔbɔ ensembles. It investigates how the trumpet’s adoption led to its unique interpretative functions, including improvised obbligatos, sampling of familiar tunes, and enhancing the rhythmic and percussive dynamics of performances. Ultimately, this study illuminates the process of indigenization of the trumpet within bɔbɔɔbɔ, highlighting themes of adoption, assimilation, and reinterpretation in the evolution of this vibrant musical tradition.
Original Publication Citation
Divine Kwasi Gbagboi , John-Doe Dordzroii. From Tradition to Innovation: The Incorporation of Trumpet in Borborbor Dance of The Ewe People. International Journal of Arts, Humanities and Social Sciences, ISSN 2693-2547 (Print), 2693-2555 (Online) Volume 05; Issue no 07: July, 2024 DOI: 10.56734/ijahss.v5n7a4
Digital Commons @ LMU & LLS Citation
Gbagbo, Divine and Dordzro, John Doe, "From Tradition to Innovation: The Incorporation Trumpet in Borborbor Dance of the Ewe People" (2024). Music Faculty Works. 1.
https://digitalcommons.lmu.edu/musc_fac/1
