Works from 2022
Empire and Art in the Hellenistic world (c. 350–31 B.C.E.), Amanda Herring
Hekate of Lagina: a Goddess Performing her Civic Duty, Amanda Herring
War, democracy, and art in ancient Greece, c. 490–350 B.C.E., Amanda Herring
Works from 2021
Nike (Winged Victory) of Samothrace, Amanda Herring
Works from 2020
Salus populi: Icons and the Protection of the People, Kirstin Noreen
Review: The LAndscapes of Adam Harrison, Damon Willick
Works from 2019
Claiming the Classical Past: Ottoman Archaeology at Lagina, Amanda Herring
Works from 2017
Works from 2016
Sexy Beast: the Barberini Faun as an Object of Desire, Amanda Herring
The Sanctuary of Artemis Leukophryene as an Expression of Conflicted Civic Identity, Amanda Herring
Works from 2015
Photographing Magnesia on the Meander: Image, Exhibition and Excavation, Amanda Herring
Review of Ancient Luxury and the Roman Silver Treasure from Berthouville at the Getty Villa, Amanda Herring
Works from 2014
Vern Blosum’s Fifteen Minutes, Damon Willick
Works from 2013
In the Valley with Jeffrey Vallance, Damon Willick
Works from 2012
Gallery 32 and Los Angeles’s African American Arts Community, Damon Willick and Carolyn Peter
Works from 2011
Considering Eden, Damon Willick
Everyman’s Infinite Art: Introduction and Harold Gregor Interview, Damon Willick
Works from 2010
L.A.’s Art Historian: Henry T. Hopkins, 1928-2009, Damon Willick
Works from 2007
Adventures in the Uncanny: The Collaboration of Ariel Soulé and Simon Toparovsky, Damon Willick
