Works from 2024
Seeing Splendor and Envisioning Hell: The Moral Economy in Thai-Buddhist Merit- Making, Melody Rodari
Visualizing Faith: The Emerald Buddha in 15th century Northern Thailand, Melody Rodari
Wat Phra Dhammakaya and Dhammakaya Ceitya, Melody Rodari
Works from 2023
“Female Community, Identity, and Icon: Honoring the Madonna Advocata in Santi Domenico e Sisto,”, Kirstin Noreen
Locating Filipino Art in U.S. Museums: The Enduring Legacy of the 1904 Louisiana Purchase Exposition, Melody Rodari
Thailand: An Introduction and History, Melody Rodari
Works from 2022
“Creating Empire and Art in the Hellenistic World, c. 350-31 B.C.E.,", Amanda Herring
“Depicting Amazons as Local Heroes in Hellenized Anatolia.”, Amanda Herring
“Hekate of Lagina: a Goddess Performing her Civic Duty.”, Amanda Herring
“Pottery, the body, and the gods in ancient Greece, c. 800-490 B.C.E.,”, Amanda Herring
“War, Democracy, and Art in Ancient Greece, c. 490-350 B.C.E.,”, Amanda Herring
“The splendori celesti of the San Sisto Icon (Rome): Intercession, Embellishment, and Female Agency,", Kirstin Noreen
Works from 2021
A Crossroads of Travel: Cairo’s Historic Qarafa Cemetery, Aliaa El Sandouby
“Athanadoros, Hagesandros, and Polydoros of Rhodoes, Laocoön and his Sons.", Amanda Herring
“Nike (Winged Victory) of Samothrace,”, Amanda Herring
Death, Disease, and Buddhist Patronage in Japan: The Great Smallpox Epidemic of 735, Melody Rodari
Grand Palace and the Temple of the Emerald Buddha, Melody Rodari
Works from 2020
“Reconstructing the Sacred Experience at the Sanctuary of Hekate at Lagina.”, Amanda Herring
“Pope Leo X and the Sancta Sanctorum (Rome): Engaging with the Holy of Holies,”, Kirstin Noreen
Salus populi: Icons and the Protection of the People, Kirstin Noreen
The Origins of the Emerald Buddha, Melody Rodari
Who Owns Ban Chiang?: The Discovery, Collection and Repatriation of Ban Chiang Artefacts, Melody Rodari
Review: The LAndscapes of Adam Harrison, Damon Willick
Works from 2019
Claiming the Classical Past: Ottoman Archaeology at Lagina, Amanda Herring
Returning “Home”: The Journey and Afterlife of Repatriated Objects, Melody Rodari
Works from 2018
“The Virgin of Guadalupe, Juan Diego, and the Revival of the Tilma Relic in Los Angeles,”, Kirstin Noreen
The Buddha as Sacred Siamese King: A Seated Buddha in the Walters Art Museum, Melody Rodari
Works from 2017
Negotiating the Original: Copying the Virgin of Guadalupe, Kirstin Noreen
Seeing is Believing?: Defining Metavisuality, Melody Rodari
Works from 2016
Review of ‘Islamic Art Now: Contemporary Art of the Middle East,’ Exhibition at the Los Angeles County Museum of Art, Aliaa El Sandouby
Sexy Beast: the Barberini Faun as an Object of Desire, Amanda Herring
The Sanctuary of Artemis Leukophryene as an Expression of Conflicted Civic Identity, Amanda Herring
Time, Space, and Devotion: The Madonna della Clemenza and the Cappella Altemps in Rome, Kirstin Noreen
Asian American Visual Arts, Melody Rodari
Beyond the Ashes: the Birth of Bangkok as a Modern Capital City, Melody Rodari
The Pacific Rim: Connecting People, Collecting Histories, Melody Rodari
Works from 2015
Photographing Magnesia on the Meander: Image, Exhibition and Excavation, Amanda Herring
Review of Ancient Luxury and the Roman Silver Treasure from Berthouville at the Getty Villa, Amanda Herring
Review of Ancient Luxury and the Roman Silver Treasure from Berthouville at the Getty Villa., Amanda Herring
Works from 2014
Vern Blosum’s Fifteen Minutes, Damon Willick
Works from 2013
Egypt: The Revolution Continued, Aliaa El Sandouby
In the Valley with Jeffrey Vallance, Damon Willick
Works from 2012
Gallery 32 and Los Angeles’s African American Arts Community, Damon Willick and Carolyn Peter
Works from 2011
Opening the Holy of Holies: Early Twentieth-Century Explorations of the Sancta Sanctorum (Rome), Kirstin Noreen
Considering Eden, Damon Willick
Everyman’s Infinite Art: Introduction and Harold Gregor Interview, Damon Willick
Works from 2010
Re-Covering Christ in Late Medieval Rome: The Icon of Christ in the Sancta Sanctorum, Kirstin Noreen
L.A.’s Art Historian: Henry T. Hopkins, 1928-2009, Damon Willick
Works from 2008
Replicating the Icon of Santa Maria Maggiore: The Mater ter admirabilis and the Jesuits of Ingolstadt, Kirstin Noreen
The High Altar of Santa Maria in Aracoeli: Recontextualizing a Medieval Icon in Post-Tridentine Rome, Kirstin Noreen
1 Image 1 Minute, Damon Willick
Criticism after Art: Comments on the ‘Crisis’ of Art Criticism, Damon Willick
Still-Live and The Theatrics of the Everyday, Damon Willick
Works from 2007
Adventures in the Uncanny: The Collaboration of Ariel Soulé and Simon Toparovsky, Damon Willick
Religio and Los Angeles’ Crucifix: An Interview with Simon Toparovsky, Damon Willick
Works from 2006
Revealing the Sacred: The Icon of Christ in the Sancta Sanctorum, Rome, Kirstin Noreen
Good morning, my name is Ed Kienholz…:' Rethinking the Artist's Self-Presentation, Damon Willick
Ooh L.A. L.A.: Los Angeles Art in Paris and Pasadena, Damon Willick
Works from 2005
Reading Jean-Michel Basquiat, Damon Willick
