Works from 2020
Review: The LAndscapes of Adam Harrison, Damon Willick
Works from 2019
Claiming the Classical Past: Ottoman Archaeology at Lagina, Amanda Herring
Works from 2017
Works from 2016
Sexy Beast: the Barberini Faun as an Object of Desire, Amanda Herring
The Sanctuary of Artemis Leukophryene as an Expression of Conflicted Civic Identity, Amanda Herring
Works from 2015
Photographing Magnesia on the Meander: Image, Exhibition and Excavation, Amanda Herring
Review of Ancient Luxury and the Roman Silver Treasure from Berthouville at the Getty Villa, Amanda Herring
Works from 2014
Vern Blosum’s Fifteen Minutes, Damon Willick
Works from 2013
In the Valley with Jeffrey Vallance, Damon Willick
Works from 2012
Gallery 32 and Los Angeles’s African American Arts Community, Damon Willick and Carolyn Peter
Works from 2011
Considering Eden, Damon Willick
Everyman’s Infinite Art: Introduction and Harold Gregor Interview, Damon Willick
Works from 2010
L.A.’s Art Historian: Henry T. Hopkins, 1928-2009, Damon Willick
Works from 2008
1 Image 1 Minute, Damon Willick
Criticism after Art: Comments on the ‘Crisis’ of Art Criticism, Damon Willick
Still-Live and The Theatrics of the Everyday, Damon Willick
Works from 2007
Adventures in the Uncanny: The Collaboration of Ariel Soulé and Simon Toparovsky, Damon Willick
Religio and Los Angeles’ Crucifix: An Interview with Simon Toparovsky, Damon Willick
Works from 2006
Good morning, my name is Ed Kienholz…:' Rethinking the Artist's Self-Presentation, Damon Willick
Ooh L.A. L.A.: Los Angeles Art in Paris and Pasadena, Damon Willick
Works from 2005
Reading Jean-Michel Basquiat, Damon Willick