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Submissions from 2017

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Review of "Ancient Mythological Images and their Interpretation: an Introduction to Iconology, Semiotics, and Image Studies in Classical Art History," by Katharina Lorenz, Amanda Herring

Submissions from 2016

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Sexy Beast: the Barberini Faun as an Object of Desire, Amanda Herring

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The Sanctuary of Artemis Leukophryene as an Expression of Conflicted Civic Identity, Amanda Herring

Submissions from 2015

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Photographing Magnesia on the Meander: Image, Exhibition and Excavation, Amanda Herring

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Review of Ancient Luxury and the Roman Silver Treasure from Berthouville at the Getty Villa, Amanda Herring

Submissions from 2014

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Vern Blosum’s Fifteen Minutes, Damon Willick

Submissions from 2013

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In the Valley with Jeffrey Vallance, Damon Willick

Submissions from 2012

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Gallery 32 and Los Angeles’s African American Arts Community, Damon Willick and Carolyn Peter

Submissions from 2011

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Considering Eden, Damon Willick

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Everyman’s Infinite Art: Introduction and Harold Gregor Interview, Damon Willick

Submissions from 2010

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L.A.’s Art Historian: Henry T. Hopkins, 1928-2009, Damon Willick

Submissions from 2008

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1 Image 1 Minute, Damon Willick

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Criticism after Art: Comments on the ‘Crisis’ of Art Criticism, Damon Willick

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Still-Live and The Theatrics of the Everyday, Damon Willick

Submissions from 2007

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Adventures in the Uncanny: The Collaboration of Ariel Soulé and Simon Toparovsky, Damon Willick

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Religio and Los Angeles’ Crucifix: An Interview with Simon Toparovsky, Damon Willick

Submissions from 2006

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Good morning, my name is Ed Kienholz…:' Rethinking the Artist's Self-Presentation, Damon Willick

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Ooh L.A. L.A.: Los Angeles Art in Paris and Pasadena, Damon Willick

Submissions from 2005

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Reading Jean-Michel Basquiat, Damon Willick