Works from 2024
Inventing a digital evangelical audience, Corrina Laughlin
Effects of Intergroup Communication on Intergroup Anxiety and Prejudice through Single Sessions of Peer Counseling in Online Settings., Romy RW and Nick Joyce
Impacts of Racial and Gender Identities on Individuals’ Intentions to Seek a Counselor, Romy RW and Nick Joyce
Works from 2023
A Qualitative Inquiry into the Role of Communication in Reputation Management During Compounding Health Crises, Shawna Dias and Romy RW
Investigating the Effects of Message Framing on College Students' Risk Perceptions and Protective Responses to Adenovirus, Shawna Dias and Romy RW
Social media and oil: Greenwashing Los Angeles, Jason Jarvis
Social media and oil in Southern California: Greenwashing Los Angeles, Jason Jarvis
“Are you me?”: Understanding the political potential of feminist identity spaces on Reddit during the COVID-19 pandemic, Corrina Laughlin
Care as infrastructure: Rethinking working mothers’ care in the COVID-19 pandemic, Corrina Laughlin
Global Populism, its roots in media and religion, Corrina Laughlin
The Millennial Medium: The interpretive community of early podcast professionals, Corrina Laughlin
“Unruly Souls: The digital activism of Muslim and Christian feminists.”, Corrina Laughlin
Works from 2022
A Warning/A Call: The Spectacle of (In)Visibility in the Vernacular Response to DEI-A Work, Bryant Keith Alexander
Collaborative Spirit-Writing for Social Justice: In Giardina, M. and N. K. Denzin,, Bryant Keith Alexander
Critical and Performative Reflections on Current Crises, Bryant Keith Alexander
Masking/Truth: Transformative Visions and Utopias of Hope, Bryant Keith Alexander
Performative Intergenerational Dialogues of a Black Quartet: Qualitative Inquiries on Race, Gender, Sexualities and Culture, Bryant Keith Alexander
Pivoting Between the Past/Present and Towards the Future/Perfect of Autoethnography, Bryant Keith Alexander
Still Spellbound: A Critical Performative Response to ‘STILL POINT’ by Elyse Pineau, Bryant Keith Alexander
Teaching and Engaging Autoethnography as Qualitative Methodology, Bryant Keith Alexander
Three Movements for Norman Denzin, Bryant Keith Alexander
‘We Wear the Mask’: Three Movements on Survival, Resistance, and Activist Affect with deference to Paul Laurence Dunbar, Bryant Keith Alexander
Redeem All: How digital life is changing American evangelical culture, Corrina Laughlin
Works from 2021
A Preface: Affective Realness, Bryant Keith Alexander
Collaborative Spirit-Writing Performance in Everyday Black Lives, Bryant Keith Alexander
Critical Autoethnography as Intersectional Praxis: A Performative Pedagogical Interplay on Bleeding Borders of Identity, Bryant Keith Alexander
Dreamscapes and Escapedreams: An Autoethnography through the Art of Jerry Weems, Bryant Keith Alexander
Inter and Enter: An Invitation to Collaboration Thru Autoethnography, Bryant Keith Alexander
Pele negra/máscaras brancas: a sustentabilidade performativa da branquitude (com desculpas a Frantz Fanon), Bryant Keith Alexander
Queer(y)ing Masculinities: Revisited, Bryant Keith Alexander
Raising Our Collective Voices: A Sing-Along for our Collaborative Futures, Bryant Keith Alexander
Raising Our Collective Voices: A Sing-Along for our Collaborative Futures, Introduction to a Song Panel from the ICQI 2021, Bryant Keith Alexander
Still Hanging: Using Performance Texts to Deconstruct Racism, Bryant Keith Alexander
The Routledge Handbook of Gender and Communication, Bryant Keith Alexander
Immersed in oil: Community journalism, petroculture, and environmental justice in Los Angeles, Jason Jarvis
Immersed in oil: Community journalism, petroculture, and environmental justice in Los Angeles, Jason Jarvis and Tara Pixley
#AmplifyWomen: The emergence of an evangelical feminist public on social media, Corrina Laughlin
Why evangelicals are early adopters of new tech, Corrina Laughlin
Media, Sports, and Society, Lawrence A. Wenner
Playing on the Communication and Sport Field: Dispositions, Challenges, and Priorities, Lawrence A. Wenner
Works from 2020
An Invitation to Rhetoric: A Generative Dialogue on Performance, Possibility, and Feminist Potentialities in Invitational Rhetoric, Bryant Keith Alexander
A Welcome, A Warning and A Wish: On Entering a Doctoral Program in Educational Leadership in the Year 2020, Bryant Keith Alexander
A Welcome, A Warning and a Wish: On Entering LMU through 'First to Go Program' in the Year 2020, Bryant Keith Alexander
Cowboys and Pirates: Verging on the Horizons of Dangerous Shores of the Past and All-Too Present, Bryant Keith Alexander
Cowboys of the Sea: Pirates as Desirous Malcontents, But not Really, Bryant Keith Alexander
Critical Autoethnography as Intersectional Praxis: A Performative Pedagogical Interplay on Bleeding Borders of Identity, Bryant Keith Alexander
Dense Particularities: Race, Spirituality, and Queer/ Quare Intersectionalities, Bryant Keith Alexander
Desire for a Magnificent Seven: A Queer Reading of a Western Remake, Bryant Keith Alexander
goputyourselfonyourknees, Bryant Keith Alexander
Introduction: Special Journal Issue ‘Cowboys and Pirates: Verging on the Horizons of Dangerous Shores of the Past and All-Too Present, Bryant Keith Alexander
Introduction to Special Section: ‘Qualitative Responses/Recovery in Repressive Times, Bryant Keith Alexander
I thought I knew you, Bryant Keith Alexander
I Want to be a Diversity Thug, Bryant Keith Alexander
‘My Grandmother Wore a Wig:’ On Tarell Alvin McCraney’s Mapping of Queer Origins in Wig Out!, Bryant Keith Alexander
On Social Justice, Black Lives Matter and the Power of Prayer, Bryant Keith Alexander
Qualitative Responses/Recovery in Repressive Times, Bryant Keith Alexander
Still Hanging/On: ‘Strange Fruit’ and ‘Glory’: Songs of/as/in Protest (or From Stage to Page: Documenting Ideological Performance), Bryant Keith Alexander
Survival in/at the Intersections, Bryant Keith Alexander
Survival in/at the Intersections: A Preface for Three Papers on the Matter of Things, Bryant Keith Alexander
Taking the Pulse: Looking for the Poetic and Performative in Terrorism and Hate, Bryant Keith Alexander
The Revolution Will Be Televised (with apologies to Gil Scott-Heron), Bryant Keith Alexander
The Routledge Handbook of Gender and Communication, Bryant Keith Alexander
Biden wins debate on substance, but American democracy clear loser, Jason Jarvis
Biden wins final Presidential debate, Jason Jarvis
Harris wins VP debate, Jason Jarvis
Transcendental meditation’s tipping point: the allure of celebrity on the American spiritual marketplace, Corrina Laughlin
Works from 2019
I'm sorry my hair is blocking your smile': A Performative Assemblage and Intercultural Dialogue on the Politics of Hair and Place, Bryant Keith Alexander
The Good, The Bad and The Ugly: Three Brief Meditations on the Presumed Resurgent Western Motif, Bryant Keith Alexander
The Good, The Bad and The Ugly: Three Brief Meditations on the Presumed Resurgent Western Motif, Bryant Keith Alexander
Forgetting Fallujah: Covert Silence, Digital Public Memory and the Civilian Consequences of Operation Phantom Fury in Iraq, Jason Jarvis
Shark fin soup: Collective imagination in the transnational public sphere, Jason Jarvis
American Evangelical Gaming Culture: A Case Study Approach, Corrina Laughlin
The Myth of the Student Hero and the “Dreaded Lit Review”, Dean Scheibel, Susan Gardner Archambault, and Melanie Hubbard
Works from 2018
Diversity Thugs: Intersections of the Academic, Personal and Political, Bryant Keith Alexander
On Mixed Marriages: Joining Forces and Building Community Between Academic Affairs and Student Affairs, Bryant Keith Alexander
Performance of Race, Culture, and Whiteness, Bryant Keith Alexander
Question Bridge: Black Males in America, Bryant Keith Alexander
Works from 2017
An Invitation to Rhetoric: A Generative Dialogue on Performance, Possibility and Feminist Potentialities in Invitational Rhetoric, Bryant Keith Alexander
Black Male/White Tower: A Performative Film Autocritography, Bryant Keith Alexander
Breath, Breathe, Breathing: Communication in/as Acts of Social Justice (A Metaphorical Performative Assemblage), Bryant Keith Alexander
Epilogue, Bryant Keith Alexander
June 12, 2016: Terrorism and Hate in Orlando, America—Poetic and Performative Responses, Bryant Keith Alexander
Queer/Quare Theory: Worldmaking and Methodologies, Bryant Keith Alexander
SenseDance, Bryant Keith Alexander
Terrorism and Hate in Orlando, America (Poetic and Performative Responses), Bryant Keith Alexander
The Cost of a Presumed Public Good, Bryant Keith Alexander
YoungGiftedandFat, Bryant Keith Alexander
Spaceship Earth: The global legacy of Dr. Alfred “Tuna” Snider, Jason Jarvis
On the International Review for the Sociology of Sport, the field of play, and six years of more “more than less”, Lawrence A. Wenner
Works from 2016
'Hands Up! Don’t Shoot!’: Policing Race in America, Bryant Keith Alexander
Introduction: “ ‘A Song For You’/’Killing Me Softly’: Lyrical Dialectics of Design, Desire, and Disdain” (A Performative Introduction), Bryant Keith Alexander
Introduction: “‘Hands Up! Don’t Shoot!’: Policing Race in America,”, Bryant Keith Alexander
Permissions as Established Templates of Sociality: On the Work of Laurel Richardson, Bryant Keith Alexander
The Song Book of Our Lives: Lyrical Autoethnographic Performances, Bryant Keith Alexander
Virtual Engineering Sciences Learning Lab: Giving STEM Education a Second Life, Michelle L. Hammers
Clinton wins First US Presidential Debate, Jason Jarvis
Clinton wins Second Presidential Debate, Jason Jarvis
Clinton wins Third Presidential Debate, Jason Jarvis
The boundaries of digital dissent: Assessing the war on hacktivism, Jason Jarvis
The visual rhetoric of Anonymous networks, Jason Jarvis
