Works from 2022
A Warning/A Call: The Spectacle of (In)Visibility in the Vernacular Response to DEI-A Work, Bryant Keith Alexander
Collaborative Spirit-Writing for Social Justice: In Giardina, M. and N. K. Denzin,, Bryant Keith Alexander
Critical and Performative Reflections on Current Crises, Bryant Keith Alexander
Masking/Truth: Transformative Visions and Utopias of Hope, Bryant Keith Alexander
Performative Intergenerational Dialogues of a Black Quartet: Qualitative Inquiries on Race, Gender, Sexualities and Culture, Bryant Keith Alexander
Pivoting Between the Past/Present and Towards the Future/Perfect of Autoethnography, Bryant Keith Alexander
Still Spellbound: A Critical Performative Response to ‘STILL POINT’ by Elyse Pineau, Bryant Keith Alexander
Teaching and Engaging Autoethnography as Qualitative Methodology, Bryant Keith Alexander
Three Movements for Norman Denzin, Bryant Keith Alexander
‘We Wear the Mask’: Three Movements on Survival, Resistance, and Activist Affect with deference to Paul Laurence Dunbar, Bryant Keith Alexander
Works from 2021
A Preface: Affective Realness, Bryant Keith Alexander
Collaborative Spirit-Writing Performance in Everyday Black Lives, Bryant Keith Alexander
Critical Autoethnography as Intersectional Praxis: A Performative Pedagogical Interplay on Bleeding Borders of Identity, Bryant Keith Alexander
Dreamscapes and Escapedreams: An Autoethnography through the Art of Jerry Weems, Bryant Keith Alexander
Inter and Enter: An Invitation to Collaboration Thru Autoethnography, Bryant Keith Alexander
Pele negra/máscaras brancas: a sustentabilidade performativa da branquitude (com desculpas a Frantz Fanon), Bryant Keith Alexander
Queer(y)ing Masculinities: Revisited, Bryant Keith Alexander
Raising Our Collective Voices: A Sing-Along for our Collaborative Futures, Bryant Keith Alexander
Raising Our Collective Voices: A Sing-Along for our Collaborative Futures, Introduction to a Song Panel from the ICQI 2021, Bryant Keith Alexander
Still Hanging: Using Performance Texts to Deconstruct Racism, Bryant Keith Alexander
The Routledge Handbook of Gender and Communication, Bryant Keith Alexander
Media, Sports, and Society, Lawrence A. Wenner
Playing on the Communication and Sport Field: Dispositions, Challenges, and Priorities, Lawrence A. Wenner
Works from 2020
An Invitation to Rhetoric: A Generative Dialogue on Performance, Possibility, and Feminist Potentialities in Invitational Rhetoric, Bryant Keith Alexander
A Welcome, A Warning and A Wish: On Entering a Doctoral Program in Educational Leadership in the Year 2020, Bryant Keith Alexander
A Welcome, A Warning and a Wish: On Entering LMU through 'First to Go Program' in the Year 2020, Bryant Keith Alexander
Cowboys and Pirates: Verging on the Horizons of Dangerous Shores of the Past and All-Too Present, Bryant Keith Alexander
Cowboys of the Sea: Pirates as Desirous Malcontents, But not Really, Bryant Keith Alexander
Critical Autoethnography as Intersectional Praxis: A Performative Pedagogical Interplay on Bleeding Borders of Identity, Bryant Keith Alexander
Dense Particularities: Race, Spirituality, and Queer/ Quare Intersectionalities, Bryant Keith Alexander
Desire for a Magnificent Seven: A Queer Reading of a Western Remake, Bryant Keith Alexander
goputyourselfonyourknees, Bryant Keith Alexander
Introduction: Special Journal Issue ‘Cowboys and Pirates: Verging on the Horizons of Dangerous Shores of the Past and All-Too Present, Bryant Keith Alexander
Introduction to Special Section: ‘Qualitative Responses/Recovery in Repressive Times, Bryant Keith Alexander
I thought I knew you, Bryant Keith Alexander
I Want to be a Diversity Thug, Bryant Keith Alexander
‘My Grandmother Wore a Wig:’ On Tarell Alvin McCraney’s Mapping of Queer Origins in Wig Out!, Bryant Keith Alexander
On Social Justice, Black Lives Matter and the Power of Prayer, Bryant Keith Alexander
Qualitative Responses/Recovery in Repressive Times, Bryant Keith Alexander
Still Hanging/On: ‘Strange Fruit’ and ‘Glory’: Songs of/as/in Protest (or From Stage to Page: Documenting Ideological Performance), Bryant Keith Alexander
Survival in/at the Intersections, Bryant Keith Alexander
Survival in/at the Intersections: A Preface for Three Papers on the Matter of Things, Bryant Keith Alexander
Taking the Pulse: Looking for the Poetic and Performative in Terrorism and Hate, Bryant Keith Alexander
The Revolution Will Be Televised (with apologies to Gil Scott-Heron), Bryant Keith Alexander
The Routledge Handbook of Gender and Communication, Bryant Keith Alexander
Works from 2019
I'm sorry my hair is blocking your smile': A Performative Assemblage and Intercultural Dialogue on the Politics of Hair and Place, Bryant Keith Alexander
The Good, The Bad and The Ugly: Three Brief Meditations on the Presumed Resurgent Western Motif, Bryant Keith Alexander
The Good, The Bad and The Ugly: Three Brief Meditations on the Presumed Resurgent Western Motif, Bryant Keith Alexander
The Myth of the Student Hero and the “Dreaded Lit Review”, Dean Scheibel, Susan Gardner Archambault, and Melanie Hubbard
Works from 2018
Diversity Thugs: Intersections of the Academic, Personal and Political, Bryant Keith Alexander
On Mixed Marriages: Joining Forces and Building Community Between Academic Affairs and Student Affairs, Bryant Keith Alexander
Performance of Race, Culture, and Whiteness, Bryant Keith Alexander
Question Bridge: Black Males in America, Bryant Keith Alexander
Works from 2017
Black Male/White Tower: A Performative Film Autocritography, Bryant Keith Alexander
Epilogue, Bryant Keith Alexander
Queer/Quare Theory: Worldmaking and Methodologies, Bryant Keith Alexander
SenseDance, Bryant Keith Alexander
The Cost of a Presumed Public Good, Bryant Keith Alexander
YoungGiftedandFat, Bryant Keith Alexander
Works from 2016
Permissions as Established Templates of Sociality: On the Work of Laurel Richardson, Bryant Keith Alexander
Situated Transgressiveness: Exploring One Transwoman's Lived Experiences Across Three Situated Contexts, Sara Louise Muhr, Craig Rich, and Katie R. Sullivan
Works from 2014
Object Pleasures and Job Segregation: Barbers, Hairstylists, and the Material (Be)longings of Work, Craig Rich
Works from 2012
"Don't Drop the Soap": Organizing Sexualities in the Repeal of the US Military's "Don't Ask, Don't Tell" Policy, Craig Rich, Julie Kalil Schutten, and Richard A. Rogers
Works from 2009
Qualitative, Ethnographic, and Performative Approaches to Communication, Dean Scheibel
Works from 2007
Sorority Rush as Lust, Dean Scheibel and Megan Desmond
Works from 2006
Pedagogical Issues Underlying Classroom Learning Techniques, Craig Rich, Barbara Mae Gayle, and Raymond W. Preiss
Works from 2004
Humor Works: Communication Style and Humor Functions in Manager/Subordinate Relationships, Diane M. Martin, Craig Rich, and Barbara Mae Gayle
Recovering (From) Janet Jackson's Breast: Ethics and the Nexus of Media, Sports, and Management, Lawrence A. Wenner
Works from 2003
“Reality ends here”: Graffiti as an artifact, Dean Scheibel
