Theses from 2022
When Dance Needs Words — ISHIDA Continues to Push the Limits of Contemporary Dance in Houston, Jill Nunes Jensen
Theses from 2021
Alonzo King LINES Ballet: Giving Voice, Jill Nunes Jensen
The Oxford Handbook of Contemporary Ballet, Jill Nunes Jensen
Theses from 2018
Alonzo King LINES Ballet: Counterpoints, Jill Nunes Jensen
Extensions, Jill Nunes Jensen
Theses from 2015
Network of Pointes (Conversations Issue 2015), Jill Nunes Jensen
Theses from 2014
One Foot Inside the Circle: Contemporary Dance of Los Angeles Steps Outside Postmodernism and into Neo-Modernism-with-a-Twist, Teresa L. Heiland
Review of Joan Myers Brown and the Audacious Hope of the Black Ballerina: A Biohistory of American Performance, Jill Nunes Jensen
Theses from 2012
Examining the Affects of Four Mental Images on Student Dancers' Jumping Height, Teresa Heiland
Visual, Auditory, and Tactile Images' Effects on Plié Arabesques, Teresa Heiland
Effects of Visual, Auditory, and Kinesthetic Imagery Interventions on Dancers’ Plié Arabesques, Teresa Heiland and Robert Rovetti
Theses from 2010
Creating a Contemporary Archive: Alonzo King LINES Ballet at Twenty-five, Jill Nunes Jensen
Review of “Dancing Lives: Five Female Dancers from the Ballet d’Action to Merce Cunningham”, Jill Nunes Jensen
Theses from 2009
Constructionist Dance Literacy: Unleashing the Potential of Motif Notation, Teresa Heiland
Transcending Gender in Ballet’s LINES, Jill Nunes Jensen
Theses from 2008
Body Image of Dancers in Los Angeles: The Cult of Slenderness and Media Influence Among Dance Students, Teresa Heiland, Darrin S. Murray, and Paige P. Edley
OutLINES for a Global Ballet Aesthetic, Jill Nunes Jensen
