Document Type
Article
Publication Date
Spring 2019
Abstract
Drawing from dance historians and movement theorists, this paper analyzes the role movement plays in the construction and performance of gender. By deconstructing perceived stereotypes about masculinity, the argument breaks down the gender binary and its relation to movement. With research rooted in the works of Bill T. Jones and Joe Goode, the paper also looks at the intersection between masculinity and sexuality. Movement as a performance of gender is rooted in cultural and emotional contexts, heavily influenced by traditional gender roles and the persistence of homophobia. The fluidity of queer gender expression offers an alternative to the stereotypical display of masculinity, if only performers are allowed to push the boundaries of the gender binary.
Publisher Statement
This Paper was selected under double-blind peer review as one of the best academic papers in dance of by a review committee consisting of members of the LMU National Dance Education Organization Student Chapter, Dance department students, William H. Hannon Librarians, Dance faculty and an external scholar.
Repository Citation
Ebersole, Gillian T., "Making Masculinity: The Performance of Gender Onstage and in the Streets" (2019). Dance Department Best Student Papers. 17.
https://digitalcommons.lmu.edu/dance_students/17
