Date of Completion

5-7-2026

Degree Type

Honors Thesis

Discipline

Film and Television Production (PROD)

First Advisor

Charles Howard

Second Advisor

Richard Rohrer

Third Advisor

Alex Esposito

Abstract

The Artificial Intelligence (AI) boom in the last decade has sparked exponential excitement, especially in white collar industries, for the possibilities of cost-cutting and streamlining tasks across industries. However, creative industries which were historically driven by human artistry report majority fear regarding copyright/fair-use, legal protections, and job security.

Production Designs and Art Departments in particular question how, or even if, their talent and creativity will fit into an AI powered entertainment industry. Since the inception of filmmaking, Art Departments have brought fantastical visions to life through set design, props, art, costumes, and beyond. Yet, in the age of AI, Text-to-Image (T2I) and Text-to-Video (T2V) generative AI models promise to digitally “create” these visions for a fraction of the time and price.

This thesis aims to understand current attitudes about AI and workflow integrations of AI specifically in entertainment Art Departments to analyze current and future effects of generative AI on workflows, legal policy, and employment opportunities in entertainment Art Departments. And, above all, how Art Departments and filmmakers can combat narratives that their human inspiration is so easily replaced.

KGaylord Thesis Final Deck.pdf (211345 kB)
Research and Final Thesis Deck

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