Arresting Optics: Black Femme Witnessing in Protest Photojournalism and the Anti-Black Techniques of Police Vision
Document Type
Article
Publication Date
2022
Abstract
In this article, we animate the interstitial practices shared by photojournalists and police officers, and sketch some of the stakes for visual practitioners ‘bearing witness while black’. We employ visual analyses of protest images by Black photographers while tracing the specific visual techniques of oversight mobilised by law enforcement. These include police departments’ co-optation of news images to identify and criminalise racial justice protesters alongside efforts to professionalise police officers into photographers. We theorise the anti-Black intersections shared across these expansive formations – policing and photojournalism – in an effort to account for the ways in which both systems maintain and invest in damaging visualities that shape consequences ‘on the ground’ for Black and brown communities.
Original Publication Citation
Aushana, Christina, and Tara Pixley. "Arresting Optics: Protest Photojournalism and the anti-Black Archives of Police Vision." Special Issue on Policing & Photography. History of Photography. (2022) https://doi.org/10.1080/03087298.2022.2122239
Digital Commons @ LMU & LLS Citation
Aushana, Christina and Pixley, Tara, "Arresting Optics: Black Femme Witnessing in Protest Photojournalism and the Anti-Black Techniques of Police Vision" (2022). Journalism Faculty Works. 4.
https://digitalcommons.lmu.edu/jour_fac/4
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