Works from 2016
Situated Transgressiveness: Exploring One Transwoman's Lived Experiences Across Three Situated Contexts, Sara Louise Muhr, Craig Rich, and Katie R. Sullivan
Communication and sport: Reflections on the trajectory and future of a disciplinary project, Lawrence A. Wenner
Works from 2015
Critical Autoethnography as Intersectional Praxis: A Performative Pedagogical Interplay on Bleeding Borders of Identity, Bryant Keith Alexander
Don’t Take Your Guns to Town: Academic/Administrative Life as the Old West, Bryant Keith Alexander
Fading, Twisting, and Weaving: An Interpretive Ethnography of the Black Barbershop/Salon as Cultural Space, Bryant Keith Alexander
From Emmett Till to Trayvon Martin, Bryant Keith Alexander
Introduction: A Farewell to the Section, Bryant Keith Alexander
Introduction: Performative Rhetorics of Desire, Resistance, and Possibility, Bryant Keith Alexander
Introduction: Westerns as Moral(ity) Tales (or Lessons Learned), Bryant Keith Alexander
Memory, Mourning and Miracles: A Performance Script on Triple-Autoethnography, Bryant Keith Alexander
Michael K. Johnson. Hoo-Doo Cowboys and Bronze Buckaroos: Conceptions of the African American West, Bryant Keith Alexander
On Weddings, Resistance and …: Autophotographic Responses to Questioning the Limits of Decorum, Bryant Keith Alexander
Queer Performance and Performativities, Bryant Keith Alexander
Queer Performance and Performativities, Bryant Keith Alexander
The Black Kat in the Hat: Tales of Cultural/Racial Encounter and Challenge, Bryant Keith Alexander
Westerns as Moral(ity) Tales (or Lessons Learned), Bryant Keith Alexander
Digital image politics: The networked rhetoric of Anonymous, Jason Jarvis
Tumblr, Jason Jarvis
Communication and sport, where art thou? Epistemological reflections on the moment and field(s) of play, Lawrence A. Wenner
Works from 2014
A Meditation Posing as a Review: On Cultural Struggles: Performance, Ethnography, Praxis, Bryant Keith Alexander
Bodies Yearning on the Borders of Becoming: A Performative Reflection on Three Embodied Axes of Social Difference, Bryant Keith Alexander
Bootlegging Tyler Perry/Tyler Perry as Bootlegger of Black Performance, Bryant Keith Alexander
Critical Autoethnography as Intersectional Praxis: A Performative Pedagogical Interplay on Bleeding Borders of Identity, Bryant Keith Alexander
Defining and Communicating What “Intercultural” and “Intercultural Communication” Means to Us (Forum on Intercultural Communication), Bryant Keith Alexander
Identifying Key Intercultural Urgencies, Issues, and Challenges in Today’s World: Connecting Our Scholarship to Dynamic Contexts and Historical Moments (Forum on Intercultural Communication), Bryant Keith Alexander
Introducing the Discussion and One Another (Forum on Intercultural Communication), Bryant Keith Alexander
Our Role as Intercultural Scholars, Practitioners, Activists, and Teachers in Addressing These Key Intercultural Urgencies, Issues, and Challenges (Forum on Intercultural Communication), Bryant Keith Alexander
Performing Passing and Passing as Performance: On Nancy Cheryl Davis-‐Bellamy's, ‘Passing Solo,’ based on Nella Larsen’s novel, Passing, Bryant Keith Alexander
Phantoms, Amputations and Mournings of Black Dreadlocks: (or Reentering the Barbershop), Bryant Keith Alexander
‘The Iconography of the West: Auto/Ethnographic Representations of the West(erns), Bryant Keith Alexander
Writing/Righting Images of the West: A Brief Auto/Historiography of the Black Cowboy (Or “I want to be a (Black) Cowboy” . . . Still), Bryant Keith Alexander
Object Pleasures and Job Segregation: Barbers, Hairstylists, and the Material (Be)longings of Work, Craig Rich
Works from 2013
A Poetic and Performative Synthesis: The 2012 Performance Studies Conference, Bryant Keith Alexander
A Pride Poem for Queer Graduation Ceremonies, Bryant Keith Alexander
Legacies of Functional (Il)literacy: Triple Autoethnographic Reflections on Finding Voice(s) in Academic and Everyday Life, Bryant Keith Alexander
Queer Performance and Performativities, Bryant Keith Alexander
Standing in the Wake of my Father’s Silence (An Alternative Eulogy), Bryant Keith Alexander
Teaching Autoethnography and Autoethnographic Pedagogy, Bryant Keith Alexander
Works from 2012
Archiving Performance/Performance as Archive: A Hybrid Book Review and Performance Commentary on E. Patrick Johnson’s “Sweet Tea, Bryant Keith Alexander
Audience Engagement: Playing and Subverting Relational Narratives in the Western — A Post Script, Bryant Keith Alexander
Building Community in the Academy Through Mentoring: Reflections and Directions, Bryant Keith Alexander
Introduction: Oral Interpretation and Ethnography in Performance: (Re)Examining the Dangerous Shores 2012, Bryant Keith Alexander
Morgan Freeman’s Black Male Body as Unforgiven, Bryant Keith Alexander
Resisting (Resistance) Stories: A Tri-Autoethnographic Exploration of Father Narratives Across Shades of Difference, Bryant Keith Alexander
The Performative Sustainability of Race, Bryant Keith Alexander
‘West of Everything’: Critical Reflections, Remembrances and Representations on/in Westerns, Bryant Keith Alexander
"Don't Drop the Soap": Organizing Sexualities in the Repeal of the US Military's "Don't Ask, Don't Tell" Policy, Craig Rich, Julie Kalil Schutten, and Richard A. Rogers
Works from 2011
Boojie!: A Question of Authenticity, Bryant Keith Alexander
Bordered and Bleeding Identities: An Autocritography of Shifting Academic Life, Bryant Keith Alexander
Queer(ying) Masculinity(ies), Bryant Keith Alexander
Rhetorics of Loss and Living: Adding New Panels to the AIDS Quilt as an Act of Eulogy, Bryant Keith Alexander
Standing In the Wake: A Critical Auto/Ethnographic Exercise on Reflexivity, Bryant Keith Alexander
Troping a Dope: A Critical Performative Response to Kashif Powell’s ‘Jena Six Project’, Bryant Keith Alexander
Works from 2009
Qualitative, Ethnographic, and Performative Approaches to Communication, Dean Scheibel
Qualitative, Ethnographic, and Performative Approaches to Communication, Dean Scheibel
Works from 2007
Sorority Rush as Lust, Dean Scheibel and Megan Desmond
Works from 2006
Pedagogical Issues Underlying Classroom Learning Techniques, Craig Rich, Barbara Mae Gayle, and Raymond W. Preiss
Works from 2004
Humor Works: Communication Style and Humor Functions in Manager/Subordinate Relationships, Diane M. Martin, Craig Rich, and Barbara Mae Gayle
Recovering (From) Janet Jackson's Breast: Ethics and the Nexus of Media, Sports, and Management, Lawrence A. Wenner
Works from 2003
“Reality ends here”: Graffiti as an artifact, Dean Scheibel
Works from 2002
Practicing “sorority rush”: Mockery and the dramatistic rehearsing of organizational conversations, Dean Scheibel
The cat with the “strat” comes back: A burkeian‐weickian primer for organizing narrative, Dean Scheibel
Works from 1999
“If your roommate dies, you get a 4.0”: Reclaiming rumor with Burke and organizational culture, Dean Scheibel
Works from 1996
Appropriating bodies: Organ(izing) ideology and cultural practice in medical school, Dean Scheibel
Works from 1995
“Making waves” with burke: Surf Nazi culture and the rhetoric of localism, Dean Scheibel
Works from 1994
Graffiti and “film school” culture: Displaying alienation, Dean Scheibel
Works from 1992
Faking identity in Clubland: The communicative performance of “fake ID”, Dean Scheibel
Works from 1990
The Emergence of Organizational Culture, Dean Scheibel
